To avoid that trap, the Santa Fe production jettisoned the period decorations and literal presentation of the plot, paring it down to the barest psychological core. The betrayal of the women they claim to love is shocking, especially at the moment when the women learn that they have been betrayed and humiliated for the sake of a bet.Įven treated as an allegory, that no one is perfect and we all have to accept the imperfections of our partners, Così can be discomfiting. The eternal problem with Così fan tutte is that the story of two men donning disguises to woo each others’ fiancées, if taken literally, is distasteful at best. Her singing was expressive, if underpowered in the lowest range. Tracy Dahl avoided all the traditional flirty-cutesy clichés for Despina, casting the character as a darker sidekick for Alfonso. Rod Gilfry was occasionally a little rough as Don Alfonso, but his portrayal perfectly matched the production’s concept of Alfonso as a cowboy. Ott sang Guglielmo with a strong, resonant baritone. Photo by Ken Howard.īliss brought a light, flexible tenor to his role as Ferrando. Jarrett Ott and Ben Bliss as the frat-boy lovers Guglielmo and Ferrando, with Ron Gilfry as the cowboy Don Alfonso.
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